When the Needle Finds You

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Prompt
Every midnight, the city’s most infamous pirate-radio host (The Crimson Jester) plays a record that contains the screams, confessions, and final words of someone who will die the next day.
Cover art for When the Needle Finds You

By eleven fifty-seven, the woman in Sivra Ossik’s loading bay had stiffened around the steering column.

The fire crew had cut the wheel free rather than peel her fingers from it. Sivra hooked the chain beneath the woman’s arms and worked the winch with her boot. The body came out of the wreck backward. Glass whispered from the coat. One leg ended in a blackened fan of bone below the knee, and the opened belly dragged a wet red rope across the bay floor.

Yesterday’s record had contained a horn, a tire screaming sideways, and that woman begging someone not to leave her in the car. The city had listened. Somebody had found her first and taken whatever could be sold before the recovery call reached Sivra.

At midnight, every radio in the garage clicked on.

Sivra’s receiver had no plug. She had pulled it months ago. Its dial still rolled by itself until the needle found the pirate frequency, and a trumpet played three bright, stupid notes.

“Good midnight,” said the Crimson Jester. His voice was velvet laid over a drain. “Yesterday has kept its appointment. Shall we hear who tomorrow loves enough to murder?”

The record dropped.

First came a low rotary hum. Something tapped once per revolution. A man drew breath through his teeth and said, “I knew all eleven were inside. I bolted the doors. Sivra didn’t know.”

Sivra stepped off the winch control. The corpse settled onto the concrete.

A body struck metal. A woman nearby said nothing, only breathed in the flat, patient rhythm Sivra used when lifting dead weight. Then the man said, very softly, “Siv. Hold it. Hold the brake.”

The tapping became a wet puncture. He screamed. Olt had always gone high when pain surprised him, even at thirty-seven: one thin pitch before his voice remembered it was grown. Beneath it came the brittle scatter of teeth striking metal, then a bubbling cough.

The record ran for six more seconds. A needle grated through something softer than shellac.

“Olt Ossik,” the Jester said. “Former finder of blood, faithless little brother, beloved arsonist. Twenty-three hours and fifty-nine minutes remain. I have his spotting ledger. At sunset I begin reading the addresses he sold me, with the secrets attached. If he wants to bargain for the pages, he knows the red room.”

The woman’s ruined car ticked as its engine cooled. Sivra took her keys from the hook and left the chain taut around the corpse.


She found Olt late in the afternoon, fifteen hours later, asleep in the office above a shuttered tire shop. She had searched three betting rooms, two women who hated him, and a freight yard where a loader tried to sell her the wrong brother. The city had spent the day listening with its windows open. Every hour the Jester replayed a little more of Olt’s scream, then aired a clipped confession from someone Olt had once selected for him.

Olt woke under Sivra’s hand with a pistol against his cheek.

“Private family wake-up,” he said. “Very warm. Missed you too.”

His left palm wore a fresh bandage. She tore it off. The cut ran diagonally under his thumb, three days old and clotted badly.

“Who took your blood?”

“Nobody took it. Glass broke.”

“Where?”

“In the universal location called none of your business.” He tried a smile. “You look tired, Siv.”

She pressed the pistol harder. “Eleven.”

His eyes went still before the rest of him did. Then he laughed too quickly. “Radio theater. He splices dead voices. You know that.”

“I know your voice with teeth missing.”

“That’s a sentence I never hoped you’d need.”

Sivra dragged him up by his collar. “Shoes.”

The dead radio on the office shelf snapped alive.

“A revision,” the Jester said, almost pleased. The new groove hissed beneath him. “Our guest has chosen his sister. Predictable, but touching. Olt, the woman from room six is waiting where you broke your glass. She would like you to remember her.”

Olt stared at the receiver. “He knew you’d come.”

“It was here.”

“You always bring the worst thing in the room and call it equipment.” He shoved his bare feet into boots. “Back stairs. Now.”

Olt hurried down the back stairs, Sivra at his heels. At the bottom he veered toward the parts counter.

A rasping voice rose from beside the inspection pit. “Too late to run.”

The woman who stepped into view was near Sivra’s age. Old fire had drawn the left side of her face tight and glossy, lifting that corner of her mouth into a permanent expression of disgust. In her good hand she carried a short chopping blade.

“Room six,” Olt said.

“Still counting better than you.”

Sivra looked at Olt’s cut palm. “You took his blood.”

“He put his hand through a bottle when I told him I’d lived. I kept the rag.” The woman touched the burned seam of her cheek. “I took the rag, his ledger, and the thing I saw him do to the Jester.”

“That book was mine,” Olt said, offended before he became afraid.

“It was everybody’s.”

He swept a second pistol from beneath the parts counter and fired. The bullet tore through the meat of the woman’s upper arm. A thumb-sized plug of flesh slapped the lift behind her, and the arm dropped uselessly.

She came at him anyway.

Sivra caught the chopping wrist before the blade reached Olt’s throat. The woman twisted, thinking Sivra had chosen her brother, and the edge opened Sivra’s forearm from elbow to palm. Skin spread. A pale flexor tendon lifted into the cut like a wet cable, and her last two fingers folded uselessly.

Pain emptied the bay of everything except weight.

Sivra drove her forehead into the woman’s scarred cheek. Olt lunged for the blade as she reeled. The woman recovered first and chopped at his reaching hand.

Two of Olt’s fingers jumped away together. They struck the concrete with little damp taps.

He stared at the squared white ends in his hand. His mouth opened, but the scream took a moment to arrive.

Sivra had heard that delay on the record.

She took the pistol and hooked it into her belt, then pinned Olt against the truck with her shoulder. The scarred woman leaned on the lift, blood running from both sides of her ruined arm.

“The old tenement,” she said. “The service culvert under it reaches the Baths. You want his studio, that’s your door.”

“Why tell us?” Sivra asked.

“Because he’ll call me a liar until you see what’s behind the fire door.” She looked at Olt. “Then I want him alive long enough to say it where everyone hears.”

Olt clutched his hand to his chest. “She’s fucking insane.”

“Yes,” the woman said. “You left me in a furnace. It affected my manners.”


Sivra wrapped her arm in a mechanic’s shirt, cinched it with a cargo strap, and drove one-handed. The scarred woman sat beside her with her shot arm tied against her chest. Olt folded himself against the passenger door, making a raw animal sound each time the truck hit a seam in the road.

“Hospital,” he said.

“After the tenement,” the woman told him.

“You’re leaking into your boot.”

“Your concern is a rash. It’ll pass.”

The radio crackled, and the Jester read the first address from Olt’s ledger. He followed it with six words of a confession—a dying man admitting that he had emptied his mother’s medicine into the sink. The street number meant nothing to Sivra. Olt knew it. He shoved his mutilated hand under his opposite armpit and rocked.

“You told me you found monsters,” Sivra said.

“He was stealing pills.”

“From his mother?”

“From everybody. Fuck, I didn’t interview the neighborhood.”

The scarred woman gave a laugh that hurt her arm. “You interviewed me.”

Olt slapped blood onto the fogged side window and wrote with the blunt gap of his hand: MASTHEAD BATHS.

Sivra looked at him.

“Old municipal pool,” he said. The words ran over each other now. “Condemned, south district. His studio’s under it, or was, I only went twice, maybe three times, fuck, Siv, don’t do the face. I found people. That was all. A cut from a bar glass, a secret they thought nobody knew. I brought him ingredients. I never touched the record.”

“You fed him people.”

“Bad people. Mostly. People already halfway dead.”

On the radio, the Jester inhaled with mock delicacy. “Olt, you wound me. There is no halfway. That is why the ending sounds so clean.”

Olt struck the dashboard until the stump bled through its wrapping. “You said this thing wasn’t listening.”

“Everything’s listening.”

“I gave him your blood,” the scarred woman said. “Room six gave it back. I gave him the ledger too.”

Olt stopped hitting the dash. “And what did you call the truth?”

“I watched you bolt the rear doors. You poured fuel down the front stairs. You saw me crawl out through the coal hatch and ran.”

“Lying cunt,” Olt whispered.

“The Baths’ surface doors are poured shut,” the woman said. “The service culvert starts under the old tenement. We go through the fire room.”

“Drive there,” Olt told Sivra at once. “I can show you. No bodies, no locks. She’s one of his pets.”

“You said the building was empty.”

“It was. That’s what I’m saying.”

“You just said no bodies.”

“Same fucking thing.” He leaned toward her, gray with pain. “You want to save me or hold court? Because you can only do one with that arm.”

Sivra angled the truck toward a clinic. Olt saw the turn and grabbed the wheel. The truck mounted the curb, sheared off a mirror, and nearly folded itself around a light standard before she tore his hand away. Beneath the shouting, the record changed. For nine seconds the tooth sounds vanished; Olt died instead to glass entering his throat.

“Possibility remains generous,” the Jester said. “But at sunset I turn the next page.”

For three hours the Jester opened the ledger a page at a time, giving each address and withholding each name. Olt offered the scarred woman money, then protection, then the promise that Sivra would leave her beside the road. She answered him only when his directions to the tenement were wrong.

At full dusk, Sivra drove toward it.

He mistook that for belief.


The building had burned six years before. Its front had fallen into the street, but the rear stairwell still stood behind a skin of soot-black brick. The scarred woman led Sivra and Olt through a cellar window as the last daylight thinned. Olt kept saying there would be nothing to see.

The utility corridor stank of wet ash and old fat. Sivra’s flashlight found a steel fire door bowed inward. The bolt was still seated in brackets welded across the outside.

“That could’ve been after,” Olt said.

She kicked the lower panel. Charred plaster broke away.

Behind the door, eleven bodies had burned where they crowded for air. Heat had fused them through collapsed vinyl flooring into one dark mass: ribs, hips, a skull with both hands cooked against its mouth. When Sivra put her light low, she saw fingernails embedded in the melted underside of the door. Some had torn loose with the skin still attached.

She knew aftermath. She knew the sweet rancid odor released when old fire damage was disturbed. She knew how a body bent when tendons contracted in heat, and how several bodies became impossible to count unless you followed each spine.

Eleven.

Her own memory supplied the rest: Olt loading fuel tins into her truck; Olt saying the block had been cleared; a dull pounding under the roar after she lit the stair rubbish. She had asked him what it was. Pipes, he’d said. Drive.

She had driven.

Olt’s light wandered across the dead. “They were extorting everybody on the row. Dealer in room four cut a boy’s face. You don’t know what they were.”

“Adults,” Sivra said.

“That’s not what I mean.”

“Alive.”

“Siv, I needed the witness gone. The rest wouldn’t leave. What was I supposed to do, knock on every door?”

The word witness reached Olt a moment after he said it. His face collapsed.

From the portable radio clipped to Sivra’s belt, the Jester whispered, “Again, please. We lost the first syllable.”

Olt kicked the corpse mass. One fused arm broke at the elbow. “Fuck you. Fuck every one of you.”

Sivra seized him by the throat and held him against the fire door. She could kill him there. The certainty felt clean enough to rest inside.

Then the radio played the motor, the needle, her own breathing. Answers waited under Masthead Baths, and they had cost eleven people more than Olt’s neck.

She released him.

“You believe me now?” asked the scarred woman.

Sivra switched the radio off. This time it stayed off.

The woman’s knees buckled. She sat against the welded door, her makeshift sling black with blood. “Culvert’s behind the old boiler wall. Red lever, then the ladder.”

“Come with us,” Sivra said.

“I won’t make the ladder.” She nodded at the radio. “Leave me that. When you find his microphone, tell them where the bodies are.”

Sivra set the receiver beside her. The woman put her good hand over it as if holding a wound closed.


Sivra and Olt entered Masthead Baths through the old tenement’s service culvert at eleven thirty-eight. Olt had remembered the route after all. He had lied because the only way to the studio passed the dead.

The drained pool opened below them, tiled walls dropping into darkness. A red bulb burned beneath the deep-end ladder. Under it, a steel hatch stood open.

The studio occupied the pump chamber. Acoustic felt covered the walls. A broadcast desk crowded the rim of a circular iron platform wider than a dining table, belt-driven by the old pool motor. Above the platform hung a jointed cutting arm whose outer sweep passed the desk. Its stylus was as long as Sivra’s hand.

The motor was already turning slowly.

The Crimson Jester stood at the desk in a lacquer-red coat with black lapels. Round smoked glasses made mirrors of his eyes. His grin was broad and unhurried; his pale gloves reached almost to his elbows.

“Ms. Ossik.” He indicated the microphone. “You have done magnificent work while leaking on my floor.”

Olt snatched the pistol from Sivra’s belt and raised it. The Jester touched one fader, and the speakers filled with Olt choking. His arm jerked. Sivra took the pistol before he could fire and hooked it back into her belt.

“Show me the record,” she said.

“Not how. Not why. Straight to the relic. You really are the better sibling.”

He removed his glasses. His right eye was ordinary and brown. Over the left lay a black, glossy film ringed with branching red vessels. He pinched its edge between two gloved fingers. The eye rolled toward his nose as he peeled. The membrane came free with a string of clear fluid and a soft sucking sound.

It widened in his palm. Grooves appeared across it, tightening inward around a blood-colored pupil. Across the exposed eye, another black film was already knitting itself from the red vessels.

Olt retched.

The Jester laid the membrane on the broadcast turntable. “Fresh blood introduces us. A truth the owner has buried gives the eye somewhere to look. It shows no commandment, only the likeliest noise of that life ending before our next appointment. Your lady from room six supplied both. You supplied half that shelf before she supplied you.”

He lowered a fine playback needle. The speakers gave them the pump motor, Sivra’s breath, Olt’s voice: I knew all eleven.

“But we changed it,” Sivra said.

“Repeatedly. Room six nearly cut his throat. He nearly bled empty in your cab. I heard every revision.” The Jester’s smile showed small, immaculate teeth. “I promised her a broadcast confession if she brought me blood and the ledger. I opened its pages until Olt had to come shut my mouth. She forced him through the one door he would never choose, and you kept him alive for me. Prediction is such a frail animal. One must keep breaking its legs in the desired direction.”

“You make them happen.”

“I make them true. The city prefers verbs that wash their hands.”

The Jester turned the microphone toward Olt. “One plain fact buys you the right to propose an alternative.”

Olt’s gaze moved from the needle to Sivra. “I knew all eleven were inside. I bolted the doors. Sivra didn’t know.”

The pump motor revolved beneath his words. Even the breath between inside and I was the breath from the record.

Olt edged toward the desk. “Her blood’s fresher.”

Sivra looked at him.

He could not meet her eyes, so he spoke faster. “She burned the building. I only locked it. She heard them pounding and drove anyway. That’s a true secret, isn’t it? Take hers. Peel one for her. Put her on tomorrow and let me walk.”

The Jester tilted his head. “You ask your sister for rescue so beautifully. You offer it less well.”

“You need a show.” Olt grabbed Sivra’s wounded arm and tore the cargo strap loose. The cut opened to the tendon again. Blood sheeted over his wrist. “Here. Enough for a fucking season.”

Sivra hit him with the pistol. He staggered, then drove his shoulder into her. They struck the turning platform together.

The Jester did not move to help. He opened the microphone.

“Dear city,” he said, “the forecast has arrived.”

Olt shoved Sivra facedown beneath the cutting arm. Its heavy stylus passed a finger’s width from her eye. He was sobbing now, whether from pain or terror she could not tell.

“Just stay down,” he said. “For once, Siv, stay the fuck down.”

She hooked her good hand behind his knee and rolled. His mutilated hand struck the iron. He screamed and kicked her ribs until she lost breath. The platform carried him around. His coat snagged on a recessed bolt and dragged him flat, head toward the center.

Sivra reached the brake lever. Her bad hand could not close around it, so she trapped it in the crook of her elbow and hauled. The platform slowed. Olt’s face stopped beneath the suspended stylus. Its point rested against the white of his left eye, dimpling without breaking it.

“Siv,” he said.

She leaned her weight into the brake. The torn tendon slid under the skin of her arm. Her grip was already going.

Olt stretched toward her with his good hand. For one beat she believed he wanted help. Then his fingers entered her wound and hooked beneath the exposed tendon.

He pulled.

White pain erased the room. Sivra heard herself breathing exactly as she had on the record.

“Hold it,” Olt begged. “Hold the brake.”

She let go.

The platform jumped to speed. The stylus punched through Olt’s eye and burst it against his temple in a wash of vitreous fluid and blood. Rotation pulled his face under the fixed point. It carved through the bridge of his nose, opened his cheek to the back teeth, then struck those teeth one by one. Enamel sprayed across the desk. His jaw tore sideways. He remained alive long enough to inhale the blood flooding his mouth.

The next turn drove the stylus under his jaw and through the soft floor of his mouth. It came out beneath his tongue. He coughed red foam around the metal, heels battering the platform, while the arm advanced inward by another groove.

On the third turn, the point opened his throat. Blood crossed the room in a hot line. His kicking weakened, stopped, began again as small reflexes. Sivra watched the pulse in the wound empty him. She watched until the chest no longer lifted and the remaining eye no longer followed her.

The Jester kept one hand on the faders. With the other, he held the microphone close to capture the wet last turns.

“There,” he whispered. “No splice. No lie. Tell them you heard the truth, Sivra.”

She could hear their own broadcast returning through his headphones, a thin echo delayed by one heartbeat. Olt’s death had already gone out live. The Jester had wanted her voice as witness. Olt had wanted her body as payment. Both had mistaken what she was still willing to carry.

Sivra seized the jointed cutting arm and swung it off Olt.

The Jester finally raised his gloved hands. Not to defend himself. To protect the microphone.

She drove the stylus into the black-veined eye.

The globe ruptured with a thick pop. Black membrane spilled across his cheek in folded layers, each one scored with minute grooves. He made no polished sound then. He screamed like a man surprised to find a body under his costume.

Sivra put her shoulder behind the arm. The needle grated against the back of the socket, punched through thin bone, and entered his head. His legs thrashed against the desk. One pale glove closed on her hair and tore out a fistful; the other kept the microphone pressed against his mouth until his teeth cracked on it.

Every stored record in the studio began to scream.

Shelved membranes shivered in their sleeves. Voices poured from the monitors over one another—confessions, prayers, curses, children’s names spoken by dying adults, the blunt animal noise at the end of language. The Jester’s remaining eye fixed on Sivra. She forced the arm deeper until blood ran from his nose and ear and his grip opened.

His body slid down the console, pulling half the switches with it.

The transmitter took Olt’s completed death and threw it across the city. The motor’s belt snapped. A bank of tubes flared white. Sound struck Sivra hard enough to rupture something inside her left ear. Breakers slammed down, leaving half the console dark and the red broadcast lamp alive.

She crawled to the hatch, but the old pool motor had torn loose from its mounts. Masonry had dropped across the passage, sealing the culvert behind her.

Olt’s death began again. The Jester’s falling hand had caught a repeat switch.

Sivra crawled back to the desk, shoved his body clear, and killed the loop. The studio clock read eleven fifty-seven. One channel still showed a signal. The microphone lay between the Jester’s broken teeth.

Sivra sat between her brother’s opened body and the Jester’s red coat. She tightened the strap above her elbow with her teeth. Her left ear heard only a high, unbroken tone; her right heard the small sounds the dead continued making as metal cooled and blood found drains.

She wiped the microphone on the Jester’s lapel and opened it.

“Masthead Baths,” she said. “Pump room under the drained pool. Bring cutters for the culvert and a stretcher to the old tenement south of here. Rear cellar. Welded fire door. Eleven bodies.”

Her voice came back through the surviving monitor, blurred but hers.

“Room six, if you hear me, Olt is dead. The Jester is dead. Stay by the receiver.” She looked at her brother’s remaining eye. “My name is Sivra Ossik. I carried the fuel. I lit the stairs. I heard pounding and drove.”

The console clock rolled to midnight while she repeated the locations and her name.